Tuesday, June 16, 2026

Music I'm Listening To: Maria Dueñas with the San Francisco Symphony

I attended the Friday 12 June performance of the San Francisco Symphony at Davies Symphony Hall. On the program were a new piece by Iranian composer Iman Habibi entitled Zhian, the Korngold Violin Concerto, and, after intermission, Rimsky-Korsakov’s Scheherazade. On the podium was guest conductor Tianyu Lu, an entirely new name to me. The soloist in the concerto, I was excited to find was Spanish violinist, Maria Dueñas. I say “excited to find” because, being a subscriber to the symphony, I buy tickets in May for the following year’s season, and by June, the end of the season, I frequently forget who’s performing by the time the concert comes around. The Symphony never prints the full program on the tickets, so I wasn’t aware until I sat down with the program at my seat. More importantly, perhaps, I had never heard of Dueñas last year when buying the subscription, so, at that time I would have had no particular expectations. I became aware of her fairly recently and I’ve been impressed by what I’ve heard, so it was a very pleasant surprise to learn as I settled in that I was about to hear her in person. 

I wasn’t disappointed. While the Korngold isn’t among my favorite violin concertos, it has its moments and Dueñas attacked it with vigor. I particularly enjoyed the sound of her violin in the low register. It had an extraordinary, rich, throaty, tone that fit the concerto perfectly, I thought. According to some Internet sleuthing, she plays a number of different violins on loan to her but she appears to have played a 1779 Giambattista Guadagnini violin on Friday, this one on loan from the Karolina Blaberg Foundation via the Deutsche Stiftung Musikleben. She was called back for an encore (something I didn’t recognize) after an extended standing ovation. The crowd loved it. Conductor Lu was great fun to watch. She’s a tiny woman but she is overflowing with energy. A fun concert all around.  



1 comment:

  1. Sitting up in the Second Tier, where the sound is usually quite good, Ms. Dueñas' tone was rather weak the entire concerto through, beginning with the first notes, as was her encore.

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