Miscellaneous: Making Limecello

I've just started my first attempt at making Limecello. Limoncello is perhaps more familiar, but limes make a good liqueur too. We have a lime tree that produced a lot of fruit this past summer, so I've decided to make Limecello. We tend to think of limes as green, but fully ripe limes turn yellow as in the photos below. 

It's a simple process. Today I harvested the limes, washed them, and stripped them of their zest. I put the zest in a mason jar and covered it with Everclear (120 proof; high proof alcohol apparently does the best job of extracting the essence). I'll let the zest sit in the alcohol for about three weeks to a month to let the alcohol extract the essence from the peel. When that's finished, I'll cut the alcohol and sweeten the extract with sugar syrup and it's done. 

Last year, I planted a Santa Theresa lemon tree in the garden.  Santa Theresa is the traditional variety used for making Limoncello in Italy but the tree has only a few fruits so far. This Limecello will be a dry run for making Limoncello in the future when the lemon tree matures. 

Music I'm Listening to: Santa Rosa and San Francisco

Some odd and ends. I've been lazy about posting comments on recent concerts I've attended – which I do mostly so that I can look back and remember what performers I heard and where. So, just for the record, The Santa Rosa Symphony just finished three performances of Mahler's Symphony No. 3, which is one of my favorites. I applaud the music director for attempting such a long and challenging piece. I attended the February 23 performance. The orchestra is huge for the Mahler. There were nine French horns!

In January, at Davies Symphony Hall in San Francisco, I heard Emanuel Ax with the San Francisco Symphony, Jaap van Sweden conducting.  Ax played Mozart's Piano Concerto No. 25 and afterward played an encore, something familiar by Schubert, but I can't remember now what it was. Jaap van Zweden is a fierce-looking man on the podium. Ax gives the impression of being a gentle, kind man, but these are just impressions from the gallery. I attended the January 30 performance. Also on the program was Bruckner's Symphony No. 7. 

On February 27, at Davies Symphony Hall again, the Symphony, conducted by Manfred Honeck, performed Beethoven's Coriolan Overture – one of those Beethoven overtures I used to use in college as a musical pep talk. I'd play one, loud, before heading out for final exams. Somehow, the music ringing in my head convinced me I'd do well. Haydn's Symphony No. 93 followed. After intermission, Honeck led an unusual performance of Mozarts Requiem with additions and subtractions from the versions we usually hear – those filled out after Mozart died leaving the piece unfinished. Honeck played only the portions actually written by Mozart but interspersed with Gregorian chant and readings by an onstage performer of portions of a letter by Mozart to his father, by Bible excerpts, and some modern poetry. The performances were dedicated to the late Joshua Robinson, MTT's partner, who died a few days before concert I heard.