Art I,m Making: Untitled Collage No. 301 (Santa Rosa)

Here's a collage from last year. This is Untitled Collage No. 301 (Santa Rosa). August 5, 2024. Acrylic on paper, acrylic monotype, found paper (letter fragment), collage. Image size: 26.4cm x 14.7cm (10.4 x 5.8 inches). Matted to 20 x 16 inches. Signed on the mat. Signed and dated on the reverse. 

This one is a bit unusual for me as it uses a piece of found paper. Most often my work is made entirely from monotypes I've made myself. In this case, however, the colors of the pair of stamps perfectly complemented the colors in the monotypes. Postage stamps are perhaps the quintessential cliché in collage, but I think it works in this case. 

Click on the image for a larger view. For more of my abstract monotype collage work, visit my website at http://ctalcroft.wix.com/collage-site/ or you can purchase my recently published book commemorating ten years of working in the collage medium – Colin Talcroft: Abstract Monotype Collage: 2103–2023 (ISBN 979-8-218-37717-5). Available on the website.

In person, my work can be seen at Calabi Gallery in Santa Rosa, Hammerfriar Gallery in Healdsburg, and at the Ren Brown Collection in Bodega Bay or by appointment.

Places I'm Visiting: Japan 2025 – Kurashiki

A short trip to Kurashiki. Kurashiki is a modern Japanese city. In many parts of it, you'd see few signs of its history as an important hub of commerce, but step into its well-preserved old town and it's like you're in another time. 

The area now the old part of the city was once a shallow inland sea. It was drained in the 17th century and became a center of salt production and then a center of cotton production, in part because cotton is unusually tolerant of salty soil. Production of cotton led to cotton spinning and Kurashiki became famed for its denim (Kurashiki is the still the home of Kurabo Industries, originally Kurashiki Boseki [Kurashiki Spinning], a major producer of textiles and other products; its first factory complex, built in the 1880s, has been converted into a hotel and retail shops). 

Many of the city's cotton and textile warehouses, retail stores, and residences dating from as far back as the late 1600s have been preserved or restored. There is an entire district of white stucco and tile architecture, buildings that today house shops and restaurants but also businesses, some of which have been in continuous operation for 100 years or more. 

The town has dozens of museums, the most famous of which is the Ohara Museum of Art. In addition to the Ohara Museum, there is a toy museum, there are other art museums, a history museum, a museum of natural history, a museum of folk arts, and others. 

I mainly wanted to see the Ohara Museum on this visit – another place I last saw more than four decades ago. Opened in 1930, it was the first permanent collection of Western art in Japan. It originally showed mostly French paintings and sculpture of the 19th and 20th centuries but later expanded to include paintings from other European countries and other periods. Today the collection also includes work by some well-known 20th century American artists.

The collection was originally established through the patronage of Ōhara Magosaburō, whose wealth stemmed from the Kurashiki textile industry and on the advice of the  painter Kojima Torajirō (1881–1929). In 1961 a wing was added for Japanese paintings of the early 20th century (including work by Fujishima Takeji, Aoki Shigeru, Kishida Ryūsei, Koide Tarushige and others) and a wing was added for ceramic work by Kawai Kanjirō, Bernard Leach, Hamada Shōji, Tomimoto Kenkichi and others in the same year. A wing was later added to show woodcuts by Munakata Shikō and dyed textiles by Serisawa Keisuke. These last two sections are now together known as the Crafts Wing (Kōgei-kan). A memorial hall dedicated to the work of painter Kojima Torajirō is nearby. 

While the Ohara collection has a few gems (an excellent Gauguin, an oil sketch by Cezanne, and several excellent pieces by Japanese artists), on the whole I think the ceramics in the Crafts Wing are of a higher caliber. The work of Hamada Shōji is consistently of the highest quality but I was also impressed by the work of Kawai Kenjiro, a potter I had not previously been aware of. 

There is an El Greco Annunciation in the collection that gets a lot of attention, but I've never been able to stomach El Greco. I think he's the man who invented painting on velvet. So, if you visit the museum, don't miss the Crafts Wing. Unfortunately, photography is banned throughout the museum (except in a small section of antiquities), so I can't show you any highlights. 

Kurashiki is in Okayama Prefecture, once known as Bizen, and the famous Bizen Ware pottery is very much in evidence with many specialty stores selling handmade Bizen pots. With all the museums and the dozens of shops and boutiques, you could easily spend a couple of days wandering through the old town. The old town manages to remain an historical district while at the same time carrying on as a vibrant modern shopping and business area. Well worth a visit.

Places I'm Visiting: Japan 2025 – Japanese Bush Warbler

Finally. The Japanese Bush Warbler, known locally as the Uguisu, is a secretive skulker, frequently heard and rarely seen. I have lived in Japan for a total of nearly 20 years and never seen this ubiquitous songster. Like the Bewick's Wrens common in Northern California, the Japanese Bush Warbler has an oversized voice. It's hard to believe such a small bird can make so much noise. Everywhere in rural Japan you hear the Uguisu's distinctive song. It's a drab little bird, but its song is hauntingly beautiful. I had never seen one until yesterday. Because they tend to stay hidden deep in foliage and they move quickly, I was lucky to get this shot of one in full song. Not a great photo. I wish it were sharper, but it will do. Finally. 

Places I'm Visiting: Japan 2025 – Mt. Aso

Our tour of Kyushu ended with a visit to Mt. Aso after a stop at Takachiho Shrine. We went to see the shrine but also to complete a mission. We were asked by the proprieties of the inn we had stayed in the night before to deliver a package – some of her home-baked bread. On hearing that we were heading for the shrine, she asked us to take the bread to the Guji there (the head priest at the shrine), a friend of hers. Mission accomplished. The area around the shrine is said to be the location of several key events in the creation myths recorded in Japan's earliest written documents, but, as a guide I overheard said, no place names are mentioned, so other places have made the same claims. Regardless, the area is pretty. It’s known for its serried cedar forests (logging operations were evident everywhere – old stands of trees alongside clear-cut areas and areas newly replanted), for  its terraced rice fields, and for its volcanic rock formations. 

On my trip to Kyushu 48 years ago, we made a stop at Mt. Aso, but it was completely shrouded in dense fog. There was simply nothing to see. This time, the weather was more favorable. Aso is one of Japan's most active volcanos. In the main crater there is at present a blue-green lake of sulfuric acid that has been relatively stable, but occasionally there are small eruptions and even in a stable state the crater constantly spews steam. The area around the crater is strewn with rocks expelled in previous eruptions, mostly pumice and scoria. It all looks peaceful, but a row of colored warning lights at the entrance to the main crater area that reflect the level of sulfur dioxide in the air and concrete shelters that look like they belong on the WWII Normandy Coast are proof that anything could happen at any time. Most visitors appeared unconcerned.

Along the way, we stumbled upon the Sakamoto Zenzo Museum, a small museum dedicated to the work of – you guessed it – Sakamoto Zenzo, an abstract artist that was active mostly in the 1960s and 1970s and into the 1980s. The work was housed in an attractive building that looked fairly Western from the outside, but was very traditional inside. The place claims to be Japan’s only art museum with floors entirely of tatami mats.

One inn we stayed at, the Luna Observatory Auberge Mori No Atelier, has the second-largest privately owned telescope in Japan (82cm, or 32.3 inches – second-largest by one centimeter), a planetarium, and it offers stargazing sessions in the fields behind the inn. Telescopes of this size are generally owned by governments or institutes of education. 

The view through the telescope, to be honest, was a bit disappointing as the weather was not very good, but the instrument itself was impressive. It dwarfs a figure standing beside it. At the touch of a button, it will find any celestial object in its database. The man who demonstrated the telescope works in the restaurant as a waiter. The man who did the planetarium demonstration also works as a waiter. It was amusing to watch them change hats. As waiters they were awkward. When talking about the stars, they were in their element.

Places I'm Visiting: Japan 2025 – Takachiho Gorge

After seeing the Buddhist statues at Usuki, we visited Takachiho Gorge, which is a popular tourist stop. You can rent a row boat to see the gorge from water level. I've photographed it artfully, making the place look quite deserted, but, in reality, it's full of unpracticed boaters bumping into the walls of the gorge and into each other. 

I found it difficult to row with my back to the direction of travel (which is the correct way to propel a rowboat) and ended up doing it backwards, which worked but probably looked strange. 

The gorge is pretty even though only a small portion is accessible. Worth a visit, but make a reservation online ahead of time – the wait for a boat otherwise can be as long as five hours.

Places I'm Visiting: Japan 2025 – Usuki

In the past few days, I've been traveling through Kyushu, the southernmost of Japan's four main islands. Kind of a whirlwind tour. We crossed over from Shikoku by car ferry landing very near  Usuki, which is famous for an area with buddhist statues carved into rock faces of tuff, a soft rock of welded volcanic ash. The carvings date from the late Heian to early Kamakura period, which puts them early in the 12th century. 

I was last in Usuki 48 years ago. I first visited Japan in 1977 as a high school exchange student. One of my host families owned a tile factory of renown that made the roof tiles for several famous buildings including Matsuyama Castle and the Glover House in Nagasaki, the oldest surviving Western-style wooden house in Japan. I went along on a trip to inspect the Glover House tiles. 

Memory is unreliable. At Usui I remember seeing mostly a single large carved stone head. I have no recollection of the many  standing and seated figures carved into the rock there. 

In any case, the place looks very different today, nearly half a century later. The head I remembered has been restored to the body it came from, a parking area has been added, pathways have been created and structures have been built over the statues to protect them from the weather. In addition, they've been designated as National Treasures (in 1995) since I last saw them. The place was familiar and strange at the same time. 

It was interesting to see Royal Ferns here (and many more at other locations in Kyushu). These are one of the Osmunda ferns that are unusual in that their spores are borne on entirely separate structures from the fronds (most ferns bear spores on fertile fronds that otherwise resemble the non-fertile fronds). I've tried to grow Royal Fern in the past, but never had much success. It was a pleasure to see them happy in their natural habitat. 

Places I'm Visiting: Japan 2025 – Himeji Castle

As noted in an earlier post, I visited Himeji Castle on my way west to Shikoku on my recent trip. The castle has been beautifully restored. It's renowned for its lofty height and its white plaster walls, which have given it the nickname "Shirasagi" or "The White Egret." On my first day in Himeji, the weather was not favorable – overcast, drizzly, and cold – but the second day brought sun and fluffy clouds. The cherry trees, although beginning to fade, were still pretty. I arrived early on the morning that I toured the castle interior, avoiding the crowds. Normally only the main central keep is open to the public (entrance fee ¥1,000) but for some reason the three auxiliary turrets that surround the main keep and their connecting passageways were open if you paid an additional ¥1,000. 

I thought the exterior walls as interesting as the interior, but I enjoyed seeing the gun and spear racks all along many of the interior walls and it was instructive to see the elevated platforms along walls in sections of the castle that, because of the extensive gabling, have windows high up on the walls. The platforms allowed guards to fire arrows or matchlock guns from the windows and loopholes. The loopholes throughout the structure have differed shapes and they pierce the walls at different heights, allowing defenders to fire various weapons from standing, kneeling, or prone positions. 

Because the castle is so large, it was apparently difficult to find the rocks necessary to build the walls. In several places placards pointed out large stones that were apparently scavenged from the surrounding countryside. There were pieces of lanterns, pieces of other buildings, and in several places large stones that originally were parts of sarcophagi taken from burial grounds in the area. Well worth a visit.

Pleces I'm Visiting: Japan 2025 – Kyoto and Nara

Before heading to Himeji, I stopped off for a couple of days in Kyoto and Nara, mainly to visit friends, but the cherries were once again in bloom, although beginning to fall, and in Nara I visited the Daibutsuden (Great Buddha Hall), one of the largest wooden structures in the world, that houses one of the largest Buddha statues in the world, if not the largest. The last time I saw it was nearly 50 years ago. The statue is about 49 feet tall. The raised hand alone is about 8 feet high. The building that houses the statue has been rebuilt several times, having succumbed to fire. The present structure, rebuilt in 1692, is only about two thirds the size of the original temple hall's size, but still very impressive. Two large Bodhisattvas flank the main figure and several other smaller Buddhist statues are on display along with  models of the former and current buildings. 

There was a long line of people waiting their turn to experience another popular attraction, a pillar in the hall with a hole in its base that is the same size as the Daibutsu's nostril. The story is that if you can squeeze through this opening you will be granted enlightenment in the next life.

In Kyoto, friends and I had a late-night snack at a restaurant in the Gion district decorated with cases of vintage toys (including an entire case of Atom Boy figures) and with examples of the small cash envelopes used to pass money to the prostitutes that were housed in this part of Kyoto in times past. At the station in Kyoto on my way to Himeji I noticed an entire Hello Kitty-themed train. Yes, there are Hello Kitty trains in Japan.

Places I'm Visiting: Japan 2025 – Himeji

Since last reporting, I've traveled to Himeji. I decided to visit the famous castle there. I have seen it before, from the windows of a passing train, but never stopped in Himeji to have a look close up. It was raining when I arrived and fairly late in the day, so, instead of touring the castle, I visited the Himeji City Art Museum and walked the castle grounds before touring Kokoen, a set of gardens next to the castle but separate from it. 

Despite the rain, the gardens were beautiful and I enjoyed seeing quite a few birds, including the ubiquitous Eurasian Tree Sparrows and Brown-cheeked Bulbuls and I saw some of the White-cheeked Starlings that I first saw in Tokyo, but there were also some more unusual species. I noted a Pale Thrush, which is a bird I saw for the first time on my trip to Japan last year. There was a second thrush species, which turned out to be the Dusky Thrush, a new life bird for me. Oriental Turtle Doves were present. These seem to hang out at temples, shrines, and castles. I noted a couple of Oriental Greenfinches, which I think I have seen before, but I will have to confirm that by checking my life list at home. Varied Tits were chirping in the trees. A Japanese Pygmy Woodpecker (another bird I saw for the first time last year while visiting Japan) landed on a tree right in front of me while I was trying to photograph the Dusky Thrush. 

Finally, there were many wagtails present. I finally figured out the difference between the two very similar black and white species, the White Wagtail and the Japanese Wagtail. The face of the latter is black up to and including the eye. The White Wagtail has much more white on the face. It was a very satisfying stroll, both for the birds and the gardens.

Places I'm visiting: Japan 2025 – Echizen

From Kanazawa, I traveled to Echizen with a vague notion of seeing some of the traditional papermaking workshops there. Echizen has been a center of papermaking for more than 1,200 years. There were once more than 100 small workshops in the area, but I've been told there are now fewer than 50. The remaining shops continue to make paper by hand using techniques that have been handed down for generations. 

Traveling alone and without a laid-out itinerary can be pleasurable, but, sometimes, it's best to call ahead. Because I had made no appointments I found myself wandering through one of the villages just outside Echizen peering in open windows at some of the mills, which wasn't very satisfying. A heavy downpour didn't help.

By coincidence, on my way to my hotel I happened to stop the car I rented next to a rice paddy with a Japanese Green Pheasant sitting in it – a striking bird, apparently found only in central Honshu. Also present were many Grey Herons. At the car rental place I was initially turned away. They had no available cars. I should have made a reservation, but, eventually, they found one for me.

I first stopped at Otaki Jinja, a large shrine near the papermaking workshops. I walked the grounds and then took a path along a small stream that eventually led to a concrete dam. I was hoping to see birds again, but found only another Grey Wagtail. A guide at the shrine kindly took me to one of the nearby paper mills, but the people there had finished work for the day, so there was little to see. The shrine is interesting for its architecture. It is said to have the most complex roof design of any in Japan.

Happily, the proprietor of Guest House Kizuna, where I stayed, was able to get me an appointment to visit Iwano Heizaburo Seisakusho, the largest workshop in the area the following morning (the largest maker of handmade paper in Japan but still a fairly small operation). I spent an hour at the mill the morning of my departure for Kyoto, hosted by 80-year-old Akiko Tamamura who told me she had been making paper there for 63 years – almost as long as I've been alive. 

I got to see the entire handmade paper making process, from  raw materials (mainly gampi, kozo, and mitsumata, some domestically produced, some imported) to finished sheets ready for shipment. The care with which each sheet is made is impressive. Slight imperfections in the pulp are removed by hand. It takes years of experience to make sheets of a uniform thickness because the consistency of the pulp and the gelatin-like binder used (derived from tree bark) differs from season to season and from day to day and is sensitive also to temperature fluctuations. I saw a woman measuring the thickness of a sheet of finished paper with a micrometer. 

I noticed that mostly women were doing the work of agitating the pulp in the large wooden frames the paper is laid in but was told that pretty much everyone in the factory is capable of doing every job required in the papermaking process. Iwano Seisakusho specializes in large sheets. The very largest sheets require eight people to handle the wooden frames, although most of the work I observed was being done by a pair of workers. A very interesting morning!