Friday, July 15, 2022

Serendipitous art: Overpainted graffiti

Graffiti and over-painted graffiti on a concrete wall looked like art to me--unintended art. This was near the entrance to the tunnel that runs from John F. Kennedy Drive behind the De Young Museum in San Francisco into the plaza area between the Academy of Sciences and the De Young. Given the proximity of the latter, I wonder if this wasn't to some extent intentional, but it appears to be random. We'll never know. In any case, it arrested my attention. 

For more serendipitous art, see my Serendipitous Art blog at serendipitousart.blogspot.com 

Sunday, July 10, 2022

Places I'm Visiting: Palo Alto Clay and Glass Festival (2022)

Yesterday, for the first time in many, many years, I went to the big clay and glass show they do in Palo Alto every year. I ran into the Nichibei Pottery team and potter Bill Geisinger, both down from Sonoma County. I came away with a souvenir—this spiral-decorated turquoise bowl—which I've decorated with Meyer lemons, for the time being. 

Art I'm Looking at: Asawa "Life Vessels" at The Anderson Collection, Palo Alto

After visiting the Cantor Arts Center yesterday, I went next door to see the adjacent Anderson Collection (both on the Stanford Campus, in Palo Alto). Among the various exhibits was a small one consisting of mask-like ceramic faces made by Ruth Asawa. Along with these, three large ceramic vessels were on display made by Asawa's son, Paul Lanier, an accomplished potter who studied with Bauhaus-trained Marguerite Wildenhaim (of Pond Farm fame). At Asawa's request, Lanier mixed her ashes after her death and cremation with clay and also with the ashes of her husband, who pre-deceased her, and threw and fired three pots using the clay–ash mixture. The finished vessels were given to their children. I think this is a wonderful idea--perhaps a better thing to do with ashes from a cremation than scattering them somewhere to be lost forever. 

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