We had drizzle a couple of weeks back (0.2 inches) but the first real rain of the new rain year (October 1, 2016 to September 30, 2017) began last night. The first rain is always refreshing. It's very welcome, even if it comes in the middle of the Art Trails open studio event tomorrow and Sunday. So far this morning (October 14, 2016) there is 0.75 inches in the rain gauge. I'm hoping we'll have had a couple of inches by the end of the weekend.
[Update: By Sunday morning (October 16) most of the rain clouds were gone. We ended up with 1.45 inches at my location, bringing the annual total to 1.65 inches. I was hoping for more, but everything looks refreshed and the air smells clean.]
Friday, October 14, 2016
Thursday, October 13, 2016
Untitled Collage No. 153 (Santa Rosa) September 5, 2016. Acrylic on paper, acrylic monotype, collage. 23.3 x 18.6cm (9.4 x 7.25in). Matted to 20 x 16 inches. Signed and dated on reverse. Signed on the mat. This one is a fairly simple overlay of hard-edged forms over a flowing black-on-white monoprint, a study in motion and stasis.
Untitled Collage No. 154 (Santa Rosa) September 20, 2016. Acrylic on paper, acrylic monotype, found paper (handwritten music), collage. 18.0 x 23.1cm (7.13 x 9.13in). Matted to 16 x 20 inches. Signed and dated on reverse. Signed on the mat. This one sets horizontal linear effects of dark blue-black monoprinted elements against verticals created by up-ended staff paper.
Untitled Collage No. 155 (Santa Rosa) October 12, 2016. Acrylic on paper, acrylic monotype, found paper (handwritten music, Japanese textile stencil, fragment of a doodle bot drawing), collage. 17.6 x 15.1cm 6.9 x 5.9in). Matted to 20 x 16 inches. Signed and dated on reverse. Signed on the mat. A study in blues accented by green and rust patches. Here I've used found music again, but I've used it more for the blue pencil marks on the staff paper than for the linear quality of the staff paper itself.