Since last posting images, I've finished three new collages. These are numbers 153, 154, and 155. I don't give my collages titles because to me they are mostly problems of composition. Inevitably, people see images in them (and I do myself sometimes), but these are coincidental. I intend no subject. I seek no subject. From top to bottom:
Untitled Collage No. 153 (Santa Rosa) September 5, 2016. Acrylic on paper, acrylic monotype, collage. 23.3 x 18.6cm (9.4 x 7.25in). Matted to 20 x 16 inches. Signed and dated on reverse. Signed on the mat. This one is a fairly simple overlay of hard-edged forms over a flowing black-on-white monoprint, a study in motion and stasis.
Untitled Collage No. 154 (Santa Rosa) September 20, 2016. Acrylic on paper, acrylic monotype, found paper (handwritten music), collage. 18.0 x 23.1cm (7.13 x 9.13in). Matted to 16 x 20 inches. Signed and dated on reverse. Signed on the mat. This one sets horizontal linear effects of dark blue-black monoprinted elements against verticals created by up-ended staff paper.
Untitled Collage No. 155 (Santa Rosa) October 12, 2016. Acrylic on paper, acrylic monotype, found paper (handwritten music, Japanese textile stencil, fragment of a doodle bot drawing), collage. 17.6 x 15.1cm 6.9 x 5.9in). Matted to 20 x 16 inches. Signed and dated on reverse. Signed on the mat. A study in blues accented by green and rust patches. Here I've used found music again, but I've used it more for the blue pencil marks on the staff paper than for the linear quality of the staff paper itself.
Click on the images for larger views. For more of my collage work, visit my collage site at http://ctalcroft.wix.com/collage-site. If you live in the San Francisco Bay Area, you can see my work in person during the Sonoma County Art Trails open studios event, always the middle two weeks of October--this year, October 8, 9 and October 15, 16. This year, I will be Studio No. 141.
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment