I attended the San Francisco Symphony concert last night (January 26) at Davies Symphony Hall. On the program was a single piece, Mahler's Symphony No. 5. Michael Tilson Thomas conducted. It was played straight through with no intermission. I hadn't known it before, but, according to the program, MTT made his debut with the SF Symphony in 1974, conducting another Mahler symphony – Symphony No. 9. So, MTT has been conducting Mahler in San Francisco for 50 years.
The concert hall was packed – not an empty seat. I don't think I've ever seen the place completely full like that before. The entire audience rose to give MTT a standing ovation as he walked on stage. The concert ended the same way – with an extended standing ovation for the conductor, who was looking a little frail, but no frailer that when I last saw him, which was during his first performance after recovering from his brain surgery. Before that, the last time I saw him was in March 2018, in a concert that, coincidentally, included the Mahler 5. That was a brilliant performance.
This performance was almost as good. There was a little highly uncharacteristic wobbling in the brass section in one or two places last night, but, aside from that, the SF Symphony was its usual highly competent self. MTT takes this piece slowly, letting the spaces speak in a way that is highly effective, never rushing. As I've noted before, I've not been especially fond of MTT as a conductor over the years – except when he does Mahler.
MTT looked deeply touched by the long ovation after the performance, after a few minutes he raised his hands to stop the applause and he addressed the audience. He thanked the orchestra and the audience for the many years and many experiences shared by all of us. He seemed a bit wistful, giving the impression that he knows and has accepted the fact that most of his career and his life are behind him. The entire audience seemed to understand. There was much love in the air.