Places I'm Visiting: The Green Music Center (January 2012)

Last Sunday I visited the new Green Music Center in Rohnert Park, on the Sonoma State University campus. Subscribers to the Santa Rosa Symphony are being given the opportunity to see the place and state their seat preference for upcoming seasons (not that I expect anyone but the wealthy and well connected to get what they want). For reasons I still don't understand, the new hall is about 160 seats smaller than the old Luther Burbank Center for the Arts (or the Wells Fargo Center for the Arts) that it will replace. Would it really have destroyed the acoustics to have made the place 10 feet wider to add a couple more rows of seats? Shouldn't the new building have been more capacious, if anything? Surely there was a solution that would have delivered great sound without making it harder to get good seats. I've been a subscriber for going on 12 years now. I had a seat dead center, about two thirds of the way back, which was perfect (in the new hall, a seat a little further back and therefore a little higher would seem to be ideal). As I don't have the means to make large donations, I suspect my new seat will be a disappointment. We'll see.

That said, the sound seems likely to be superb, and it certainly seems to be even, with no dead spots. It sounds good just about anywhere you listen from, even from the upper balconies--although the sight lines are not very good from the side balcony seats. There is a clarity to the sound that is already apparent from listening to some of the performers that were playing on stage while I visited, allowing patrons to get a feel for the space.

The new concert hall is undeniably beautiful. All clad in satiny wood of various grains and colors, you simply want to reach out and touch everything. On the downside, there is a somewhat cramped feel to the place, particularly in those side balcony areas. I think they will be difficult for some of the more elderly people in the audiences to navigate (and the symphony concerts are attended by a mostly elderly crowd, unfortunately). The rise of the main floor is quite gradual. I suspect shorter people will be disappointed, especially in the center orchestra section toward the front. Perhaps most worrisome, the stairways are all made of the same beautiful woods that cover the floors--beautiful to look at, but treacherous; even I had trouble in places seeing the edges of the stairs. The wood strips run parallel to the stairs and, depending on the angle of the light, the sea of parallel seams can create an illusion of a single flat space. This seems like an accident waiting to happen. I'd be willing to bet that either a guest falls or, before that, someone involved in management will see that some sort of material needs to be added to the edges of the steps to provide a visual aid. Let's hope it's the latter.