I attended the Friday, September 12 performance of the San Francisco Symphony. The program included Rossini's overture to La Gazza Ladra, Alternative Energy by Mason Bates, and Beethoven's Piano Concerto No. 1. Leif Ove Andsnes was soloist in the Beethoven concerto. Michael Tilson Thomas conducted. The orchestra gave a lively performance of Rossini's very familiar overture (although I would not have been able to name it before I had read the program), getting the evening off to buoyant start before shifting gears to a very modern piece, the Bates, which was composed in 2012.
The program notes say the San Francisco Symphony has done of series of concerts during the past two seasons pairing the music of Mason Bates with pieces by Beethoven, and this was another in that series, but nowhere does it explain why these two composers have been paired. I imagine there is a notional link, but it isn't obvious to me and the program had nothing to say about the juxtaposition, which was a little annoying (the failure to explain was annoying, that is). Personally, I'd rather hear a program of all modern music or all music of whatever period, unless there's some compelling reason to pair two pieces that are very different in style.
, other sections suggested gamelan music, sometimes the mood was jazzy. There was a cinematic sweep throughout. I thought the piece consistently interesting. I very much enjoyed the performance but didn't feel the need to know the "story" behind it. The audience was very appreciative. The composer appeared on stage to take bows along with conductor Thomas and the orchestra. He seemed very pleased with the performance, which was recorded for possible future release.
(Photograph of Mason Bates by Ryan Shude, courtesy of the San Francisco Symphony website.)