|After the concert: The composer, conductor, and soloist|
Two pieces entirely unfamiliar, one quite the opposite. It always astounds me that soloists can, without a score, remember their part when playing a concerto on one instrument, much less on an array of percussion instruments. Nissly must have played more than a dozen instruments, mostly on the stage, but he entered with his instruments strapped to his body, as if playing in a marching band. As always, it's hard to say much about an unfamiliar piece with any precision. It takes multiple hearings to really get to know a piece of music, but I enjoyed the varied textures of the Schoenberg piece, some of which were quite striking, notably the sound of the rotating cymbals that rather dramatically ended the piece. Likewise the short, impressionist tone poem by Boulanger, whose story I had never heard before.
Pictures at an Exhibition, is, of course, very familiar, but I had never heard it live before. It's one of those pieces of music that is as much fun to watch as it to listen to, as all sections of the orchestra have a lot to do throughout and have moments where they are featured as well. As always, the San Francisco Symphony woodwinds were strong but Mark Inoue and the trumpets were particularly brilliant, I thought. Coincidentally, the Santa Rosa Symphony concert I will attend tonight, while it features a banjo concerto, also includes Ravel's orchestrated version of Pictures at an Exhibition.