|After the performance, a tired MTT|
As I've noted here before, I generally don't care for MTT as a conductor, as, in my experience, he often seems aloof and unengaged in the music. Mahler has been the exception. This is the second time I've heard him conduct a live performance of one of the Mahler Symphonies, having heard him at the helm for Symphony No. 5 in March last year. That was a breathtaking performance.
While I enjoyed this latest concert, it wasn't quite as exciting. Perhaps my expectations were too high. I thought the third movement a little uncertain in places and thought the tempo variations in the second were a bit too exaggerated. That said, the orchestra members played well (as they virtually always do), the first movement seemed perfect and the finale was fun to watch.
I've always wondered how they do the hammer blows toward the end of the piece. A large wooden structure with a small platform on top was built high behind the percussion session for this performance making it accessible from the front row of the balcony seats behind the stage (which were empty, which is unusual). A member of the percussion team appeared for each of the blows above the wooden platform wielding a large wooden sledgehammer. He looked rather menacing and a bit surreal. It must be hard to time the blow, given how heavy the hammer seemed, but he got it right. As in the case of the March performance. The orchestra was seated in the antiphonal arrangement.
The Santa Rosa Symphony season opens tomorrow, October 5. I'll be doing backstage photography for the symphony again this year. Garrick Ohlsson will be playing the Beethoven Piano Concerto No. 4 and Strauss's Also Sprach Zarathustra is also on the program.